![]() ![]() I wish I was that innocent and happy all the time! And saying Barney is one dimensional because it is just happiness is plain false. B: why not have a happy show? Every show for kids tries to be as happy as can be!!!! There's lots of bad things in the world today, so good thing Barney can provide the happy escape that is much needed. What I really hate is when people say Barney is one dimensional because everybody is too happy all the time and there's no seriousness involved. because I watched Barney and listened to his lessons, I was way ahead of most students by the time I got into school. "Why doesn't Barney teach things like counting and not dangers of drugs and everything?" Tell me, what kind of 3-year-old is hooked on drugs? Give an example of a toddler that does not need to be taught how to count. That is because it is a juvenile show! Many kid shows are like that! Barney is no different. Everybody talks in cheesy and juvenile voices. Unlike, say, Sesame Street, Barney's age range is smaller like under the age of 7. But the older episodes are the good ones. It was on the air for almost 20 years and got very repetitive and stale the last half of his run. You don't even know what Barney contains!!! Something I will say is that Barney overstayed his welcome. You don't remember what it is like being a kid that young. The main reason being that everybody is too "cool" or too "mature." "I can't watch Barney because I'm too cool!" You don't understand that it is a kid's show only. The film will enter its festival run later this year.Barney has gained reception as being one of the worst TV shows ever. Recently Tom has moved into live action filmmaking directing a short film, Ourselves Alone, with his writing partner Barney Pell Scholes. The film went on to have Skys highest ever Christmas broadcast viewing figures. In 2020, Tom made his feature film debut, animation directing Roald and Beatrix: The Tale of the Curious Mouse, Sky One’s Christmas Special, starring Dawn French, Jessica Hynes, Rob Brydon, and Bill Bailey. In 2019 Tom collaborated with Richard Curtis on a short film for the UN. In 2018, Tom worked With David Attenborough and Stephen Fry to bring back The Wind in the Willows, highlighting loss of habitats for The Wildlife Trusts, the film went on to win a British Animation Award. In 2016 Tom worked on Wes Anderson’s critically-acclaimed Isle of Dogs. Since graduating from the Royal College of Art’s animation programme in 2015, he has won numerous awards and made films for some of the worlds biggest brands. Thomas Harnett O’Meara specializes in animated storytelling. Before moving into film, Barney had a career working in politics. ![]() He also wrote and co-directed Ourselves Alone, an award winning live-action short film that screened at multiple UK and international film festivals, and was nominated in two categories at The 2022 British Short Film Awards.Īlongside his scriptwriting and filmmaking, he works as a script and book reader for several television production companies. He co-wrote the script for Grown in the Dark, an animated short film that was selected for funding through the BFI 2022 Short Film Fund. ![]() Barney Pell Scholesīarney Pell Scholes is a writer and filmmaker from Liverpool. Throughout her career, she has worked across television and theatre in the UK and Israel, also developing and producing her own projects and productions. Keren Shefet is an experienced producer and creator with expertise in planning, producing content and a strong sense in marketing and sales. And in March 2023, her first screenplay The Doll’s House won the annual Pears Short Film Fund and will be premiered at the UK Jewish Film Festival this year. In 2019, she had her first short play Pucker Up staged at Pleasance Theatre in north London. In recent years, she has found herself back in London, where she has been focusing on both her screenwriting and playwriting, embarking on courses at Royal Central School of Speech and Drama, and the National Theatre. Sam Roggīefore becoming a screenwriter, Sam Rogg had a nomadic career working as a journalist and copywriter at organisations and publications around the world from Brussels to New Zealand. After studying at Bournemouth film school in the 1990’s he went on to work in all areas of film production and post production eventually focusing on editing and directing, with a particular passion for comedy & drama. Tim is a filmmaker with over 25 years experience working in the film industry. This event is not suitable for persons under the age of 18.
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